Galenson (2006) suggests that the stereotype of an artistic genius - a young, energetic and audacious visionary - only covers half of the story. While some great creative types may fit into that mould - Mozart, Picasso and T.S. Elliot, for example - others follow a very different pattern. Some creatives - Paul Cézanne for example - only achieve their greatest work after many years of struggling.
Boy with Skull by Cezanne, photo by freeparking. |
A related issue comes up in the study of scientific breakthroughs. Csikszentmihalyi (1996) states the scientists, rather than having a flash of inspiration as is popularly perceived, typically have an insight of true greatness after many decades of work. Great scientists and inventors tend to have amassed a lot fo skills and knowledge before the have their bigger insights. In the arts, children can be intensively schooled (Picasso was the son of an art teacher), but in science, it may be almost impossible to acquire the tools without many years of work. It would explain the shortage of child prodigies in particle physics!
It is an interesting question whether the likes of Mozart and Picasso are geniuses in their fields, and if so, does the term 'genius' apply to someone who has had to work harder/take longer in order to achieve?
References
Csikszentmihalyi, M. (1996). Creativity: Flow and the Psychology of Discovery and Invention. New York: HarperCollins.
Galenson, D.W. (2006). Old Masters and Young Geniuses: The Two Life Cycles of Artistic Geniuses. Princeton, NJ: Princeton University Press.
Gladwell, M. (2009). What the Dog Saw and Other Adventures. London: Penguin.